(Seattle: College of Washington Push, 2004). 14 Mary Kosut, “Mad Artists and Tattooed Perverts: Deviant Discourse and the Social Development of Cultural Classes,” Deviant Conduct 27, no. 17 Quoted in Laurence Cawley, “Individuals Generally Say the Similar Issue about Tattoos,” BBC Information, February 3, 2014, https://www. bbc. com/news/magazine-25330947. 18 See Anna Felicity Friedman, “The Cook Fantasy: Typical Tattoo Record Debunked,” Tattoohistorian. com , April five, 2014, https://tattoohistorian. com/2014/04/05/the-cook dinner-fantasy-frequent-tattoo-histo.

. 19 Masami Takenaka, Kazuharu Mine, Kazuhiko Tsuchimochi, and Kazuyuki Shimada, “[Foragers and Farmers in the Japanese Islands] Tooth Removing all through Ritual Tooth Ablation in the Jomon Period of time. ” Bulletin of the Indo-Pacific Prehistory Association 21: (2001): 49. 20 Jun Takayama, Jōmonjin no irezumi – Kodai no shūzoku wo saguru (Tokyo: Kodansha, 1969). 21 Yoshimi Yamamoto, “From Early Occasions to the Tattoo Increase In the course of the Edo Interval,” in Tattoo , ed. Aude Gros de Beler (Paris: musée du quai Branly, 2014), 88. 22 Yoshimi Yamamoto, “‘Irezumi’: The Japanese essay writing service reddit Tattoo Unveiled,” Nippon. com , January 30, 2017, http://www. nippon. com/en/sights/b06701/. 23 Willem van Gulik, “Japan Tattoo, A Quick Background of Its Origins and Progress,” in Japan Tattoo: Tattoos in Japanese Prints , ed. Henk Herwig (Leiden, The Netherlands: Culture for Japanese Arts, 2009), 9. 24 Donald H. Shively, “Sumptuary Regulation and Status in Early Tokugawa Japan,” Harvard Journal of Asiatic Experiments , twenty five (1964): 123-sixty four. 25 Yamamoto, “From Early Periods to the Tattoo Growth For the duration of the Edo Interval,” 89. 26 van Gulik, “Japan Tattoo, A Quick Background of Its Origins and Enhancement,” fourteen. 27 Donald Richie and Ian Buruma, The Japanese Tattoo (New York: Weatherhill, 1980), 21. 28 Inge Klompmakers, “Kuniyoshi’s Tattooed Heroes of the Suikoden : Righteous Rebels from China in Japanese Prints,” in Japan Tattoo: Tattoos in Japanese Prints ed.

by Henk Herwig (Leiden, The Netherlands: Culture for Japanese Arts, 2009), 18-19. 30 Herwig, Henk, ed. , Japan Tattoo: Tattoos in Japanese Prints (Leiden, The Netherlands: Culture for Japanese Arts, 2009), seventy nine. 31 Manami Okazaki, Wabori: Regular Japanese Tattoo (Hong Kong: Kingyo Books, 2013), eleven. 32 Pascal Bagot, “From the Conclusion of Edo to the Existing Working day,” in Tattoo , ed. Aude Gros de Beler (Paris: musée du quai Branly, 2014), 97. 34 Satsuki Kawano, “Japanese Bodies and Western Means of Seeing in Late 19th Century,” in Dust, Undress, and Distinction: Crucial Views on the Body’s Area , ed.

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Adline Masquelier (Bloomington: Indiana University Press, 2005), 150. 36 See, for illustration, Yamamoto Yoshimi, “Hon Kon no Nihonjin horishitachi: 19-seikimatsu kara twenty-seiki shotō built (The Japanese Tattooists of Hong Kong: From the Close of the 19 th Century to the Starting of the 20 th Century),” Meiji University Bulletin, Faculty of Political Science and Economics eighty five, no. 37 Mark Schilling, The Yakuza Motion picture Guide: A Guide to Japanese Gangster Movies (Berkeley, CA: Stone Bridge Push, 2003), 23. 40 Patrick Macias, Tokyo Scope: The Japanese Cult Movie Companion (San Francisco: Cadence Guides, 2001), ninety eight. 41 Schilling, The Yakuza Movie Reserve: A Tutorial to Japanese Gangster Films , 33. 43 Macias, Tokyo Scope: The Japanese Cult Film Companion , one hundred ten.

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